Skip to main content

Injury Prevention in Dance - By Katie Behrens

 

Dance is a performance art. The dancer uses their body like a carefully sharpened pencil creating the art of the choreographer. Keeping a dancer's body strong and injury free should be one of the top priorities inside and outside the dance class. This can be rather challenging when the dancer is continually pushing to advance their skills or they are in a competitive season. For much of history dancers have been known to grind it out even through injury, however times have changed and that mentality no longer is what is supported. 

So, you might question as a parent and definitely as a dancer how can I prevent injury inside and outside of the classroom? 

As a certified personal trainer and dancer of 30+ years, I am hoping the information that follows will add insight on how to keep the dancer in tiptop condition all year round.

  • Cross training
  • Shoes
  • Rest
  • Myofascia release techniques
  • Seeking medical advice

Cross training:

Like any athlete, dancers have seasons. One way to prevent injury is during the off-season (summer) continue with a lesser load of classes and add in cross training devices such as swimming or yoga. Dancers have a tendency to over train certain muscles such as the, piriformis, which is the turn out muscle and the hip flexors as well as all of the muscles in the feet and ankles. Cross training in non-impact exercises provides the dancer opportunities to strengthen areas that are weak.

Taking classes such as dancer conditioning and Flex and stretch are also wonderful ways during the season to keep your dancer well balanced.

Shoes:

Another great way to prevent injury is to look down and notice what your dancer is wearing on their feet. The feet are the foundation for the rest of the alignment in the body. Having good supported shoes while not dancing is of the  utmost importance.

Flip-flops, wedges, and other type of heeled shoes can really create problems. Dancers already put more stress on the air arch of the foot than normal people. Flip-flops cause the toes to grip which can lead to various foot and ankle tightness resulting in injury. Dancers also are on their toes a lot constantly shorten in the Achilles’ tendon.  While dancers are not dancing, having a flat shoe with good arch support will help reduce overuse injury in the Achilles tendon.

Rest/self care

Over training results in injuries. Listening to the body and learning how to rest is extremely important for dancers. Not only is adequate sleep important in a young dancer's growing bodies, but it’s also setting up healthy habits into adulthood.

Muscles are broken down while dancing. Muscle repair is done while the dancer sleeps.

Self care such as Epsom salt baths, deep tissue massage, and pedicures can help keep your dancer injury free.

Myofascia release

Myofascia release is done when you put an outside pressure source to the muscle. Examples of this would be rolling out arches with tennis balls, rolling out quadriceps and glutes with foam rollers, deep tissue massage by a licensed massage therapist specializing in athletic massage. Muscles that are tight risk injury.

Seeking medical advice:

If something hurts, seek medical advice. Braces and wraps that are not specifically prescribed by a medical professional can do more harm than good. If something hurts just wrapping it may actually make the problem worse.

A well-balanced dancer is a healthy dancer. Following the above examples can help prevent injury and keep the dancer dancing for many years to come.




 

 

 

 

 

 

 

 

 

Katie Behrens:

Certified Personal Trainer (National Academy of Sports Medicine)

200 hour certified yoga teacher (Yoga Alliance)

Certified Health Coach (American Council on Exercise)

Certified Sports Nutrition Expert (American Council on Exercise)

Comments

Popular posts from this blog

When the silence is deafening... by Jenny O'Brien

The silence is deafening...when you walk through the doors of a place you've worked your entire life to build. Every little piece of it. But there is nothing but silence. Six weeks of silence. Silence in a building that normally boasts hundreds of dancers and parents, hallways with kids running down them, music blasting from four different rooms, tap shoes clickity clacking, and the front door opening and closing a thousand times a night. Since I was 16 years old, I've worked my tail off. I always loved working. Truly. In high school I loved working so much....that my senior year, I was part of a business program that allowed me to leave school at 10:30am and work the rest of the day. The only things I ever enjoyed about school were the social part and electives (classes like cooking and graphic design). And of course gym because I got to take dance. I hated the rest. I would have to study for hours upon hours to get a B or C in classes like Science and Math. ...

What is the difference between a jazz and ballet pirouette? - by Miss Geneva & Miss Jenny

  What is the difference between a jazz pirouette and a ballet pirouette?    One of the hardest transitions between jazz and ballet are the pirouettes. There are many differences, and teachers often find themselves giving corrections in class....over and over...and over....that are related to this! Read on to learn more:   The prep and "take off" Even the prep to take off has several differences. The little steps leading into the pirouette are different to begin with but we will save that for another time! For the actual position to turn from in jazz, the feet are in a parallel 4th position with the back heel up. In ballet, the feet are in a turned out 4th position with both heels down. In ballet you can also do a pirouette from 5th position. However, all of them you have to use a plié to take off from.    P.S. - Use your plie! How many times do you hear your teacher say that?   The turn Basic pirouettes use a passé position and tur...

Q&A with Miss Geneva - Reflecting on 10 years at DDA

  Miss Geneva with her class at the 2014 DDA Recital   What made you apply for the job at DDA? My husband and I had just moved to Illinois for his job and I was volunteering one day at a cancer center in Geneva teaching dance to kids to bring them some joy through music and movement. The director told me that one of the ladies she worked with had a daughter who had opened up a dance studio in La Fox (the previous location). Well, that was Jenny's mom she was talking about! So, I called right away to see if she was hiring.   Do you remember your first day?   I was actually nervous. I was feeling so out of place moving somewhere that had my first name on buildings (ha!), knowing that my desert blood had no idea how to handle zero degrees, everyone else seemed to have extended family here except me, and driving on roads with one lane was the weirdest thing to me. Those little things made me feel like this was not home. However, I remember walking into DDA being wa...